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This accurate one-pulse-per-second clock is made with a few common parts and driven from a 50 or 60 Hertz mains supply but with no direct connection to it. A beep or metronome-like click and/or a visible flash, will beat the one-second time and can be useful in many applications in which some sort of time-delay counting in seconds is desirable. The circuit is formed by a CMos 4024 counter/divider chip and 3 diodes, arranged to divide the frequency of the input signal at pin #1 by 50 (or 60, see Notes)....
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UM66 is a pleasing music generator IC which works on a supply voltage of 3V. the required 3V supply is given through a zener regulator. its out put is taken from the pin no1 and is given to a push pull amplifier to drive the low impedance loud speaker. A class A amplifier before push pull amplifier can be used to decrees the noise and improve out put. UM66 is a 3 pin IC package just looks like a BC 547 transistor....
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In the circuit, 60 individual LEDs are used to indicate the minutes of a clock and 12 LEDs indicate hours. The power supply and time base circuitry is the same as described in the 28 LED clock circuit above. The minutes section of the clock is comprised of eight 74HCT164 shift registers cascaded so that a single bit can be recirculated through the 60 stages indicating the appropriate minute of the hour....
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The IR photo transistor Q1 (Radio Shack 276-145A) or similar is connected to the set input (pin 6). The photo transistor should be shielded from direct light so that the voltage at the set input (pin 6) is less than 1 volt under ambient conditions and moves to more than 10 volts when illuminated by the laser pointer or other light source...
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This circuit operates two LED strips in pulsing mode, i.e. one LED strip goes from off state, lights up gradually, then dims gradually, etc. while the other LED strip does the contrary. Each strip can be made up from 2 to 5 LEDs at 9V supply. The two Op-Amps contained into IC1 form a triangular wave generator....
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In order to obtain a good audio reproduction at different listening levels, a different tone-controls setting should be necessary to suit the well known behaviour of the human ear. In fact, the human ear sensitivity varies in a non-linear manner through the entire audible frequency band, as shown by Fletcher-Munson curves.
A simple approach to this problem can be done inserting a circuit in the preamplifier stage, capable of varying automatically the frequency response of the entire audio chain in respect to the position of the control knob, in order to keep ideal listening conditions under different listening levels....
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